Tyler’s newfound restraint is remarkable, but it’s overshadowed by the fact that many of Flower Boy‘s tracks acknowledge his attraction to men. And the album relies on a rich, distinctly Californian palette: reds, pinks, sprays of seafoam. He leans into the melodic instincts and jazzy textures that have characterized his best work. On Flower Boy, he sings and raps about his anxiety and fear with disarming sincerity. Vulnerability has always been a fundamental part of Tyler’s music, but it’s typically been couched in anger and disillusionment. Flower Boy, his fourth studio album, is a welcome surprise: a focused, sentimental statement of purpose.
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